 Fiction “Hello, Goodbye” “Are good choices and bad choices all that different? The consequences of those choices are where life is.” By Yiyun Li | | |
 This Week in Fiction Yiyun Li on Friendship and Tolstoy The author discusses her story from the latest issue of the magazine. By Cressida Leyshon |  Fiction “La Vita Nuova” If you liked “Hello, Goodbye,” we think that you’ll enjoy this story, from 2010. By Allegra Goodman | | |
Page-Turner The Book That Taught Me What Translation Was In its attention to substitution, Domenico Starnone’s “Trust” embodies the joy of moving words from one language to another. By Jhumpa Lahiri | | | Books A Fearless Experimentalist’s Stealth Reputation Revered among better-known New Narrative writers, Dodie Bellamy has made uncompromising excess her artistic credo. By Leslie Jamison | | | Cultural Comment Emily Ratajkowski and the Burden of Being Perfect-Looking In a new collection of essays, “My Body,” the writer and model reckons with how her appearance has shaped her personal relationships, career, and psyche. By Carrie Battan | | | |
 On Television The Splendid Uncoolness of “Sex, Love & Goop” Gwyneth Paltrow’s new Netflix series, which follows couples who are struggling with sexual dysfunction, is unexpectedly real, and genuinely moving. By Naomi Fry |  The Theatre “Morning Sun” Glimmers with Meaning In Simon Stephens’s dreamily extended riff, Edie Falco plays a woman whose life is dramatic but unsung, the kind that never makes headlines but is nonetheless dense with incident. By Vinson Cunningham | | |
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