The writer’s signature style of ending—a final, thrilling note—has the touch of magic that distinguishes the form at its best.
By Louis Menand
Essays & Criticism
The New Yorker Interview
The Man Rewriting Prison from Inside
Quntos KunQuest has been in Angola for twenty-five years. But his début novel, “This Life,” isn’t the usual story of time behind bars.
By Jelani Cobb
Page-Turner
Watch Highlights from “Words of Desire”
Three acclaimed authors discuss what makes for good writing about sex, in the latest installment of The New Yorker’s digital event series for subscribers.
By The New Yorker
A Critic at Large
The Impossibility of Translating Franz Kafka
From 1999: If Franz Kafka, who was born on this day in 1883, deemed it impossible to be himself, then what chance can a translator have to snare his mind?
By Cynthia Ozick
Books
Briefly Noted
“Everybody,” “Geniuses at War,” “Filthy Animals,” and “The Great Mistake.”
Poetry
Poems
“Why”
“There are no words / for why that I // can find fast / enough.”
By Jorie Graham
Poems
“Boogie-Woogie”
“You shout from the other room / You ask me how to spell boogie-woogie.”
By Adam Zagajewski
The Writer’s Voice
The Writer’s Voice: Fiction from the Magazine
Sam Lipsyte Reads “My Apology”
The author reads his story from the July 5, 2021, issue of the magazine.
More from The New Yorker
Onward and Upward with the Arts
Where Did That Cockatoo Come From?
Birds native to Australasia are being found in Renaissance paintings—and in medieval manuscripts. Their presence exposes the depth of ancient trade routes.
By Rebecca Mead
Dept. of Returns
The Dread of Getting Dressed
On fashion, “frock consciousness,” and the post-pandemic invitation to appear.
By Katy Waldman
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