https://www.youtube.com/watch?v=qJ6eg4pu73I
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In “I Love You but I’ve Chosen Darkness,” the writer rejects the clichés of motherhood literature—and of her own work.
In the new literary landscape, readers are customers, writers are service providers, and books are expected to offer instant gratification.
A reissued collection, long out of print, revives the author’s masterly stories of horror and unease.
Centuries after colonial and corporate powers set the stage for our environmental crisis, governments remain convinced that the market will solve it.
“The Book of Form and Emptiness,” “The War for Gloria,” “Read Until You Understand,” and “The End of Bias.”
“What is the sound of all our sorrow?”
“My mother saves empty / Containers.”
The author reads his story from this week’s issue of the magazine.
The billionaire venture capitalist has fans and followers. What are they looking for?
The biographer visits his archive, which, after getting the Marie Kondo treatment, is on exhibit at the New-York Historical Society.
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