“I was afraid sometimes that there was nothing wrong with me—that I was just trying to get my parents’ minds off my brother.”
By Camille Bordas
This Week in Fiction
Camille Bordas on Death and Doppelgängers
The author discusses “Offside Constantly,” her story from the latest issue of the magazine.
By Willing Davidson
Fiction
“Flashlight”
If you liked “Offside Constantly,” we think you will enjoy this story, from 2020.
By Susan Choi
PAID POST
No. 1 June Indie Next Pick, “A Stunning Achievement" —Publishers Weekly
“You know a novel is good when the thought of leaving the world it creates and the people who live there fills you with sadness and a profound sense of loss. Joshua Henkin’s "Morningside Heights" is just such a novel.” —Richard Russo
Essays & Criticism
Page-Turner
The Becoming of Italo Calvino
In “Last Comes the Raven,” a collection of early stories, we find the man behind the magician.
By Katy Waldman
Page-Turner
Janet Malcolm, Remembered by Writers
Notes on Malcolm’s legacy, from writers at and outside The New Yorker.
By The New Yorker
More from The New Yorker
Photo Booth
Four Stories from the Russian Arctic
Evgenia Arbugaeva’s pictures of isolated figures in harsh terrain look recovered from the deep past or icebound legend.
By Brian Dillon
Cultural Comment
The Generic Latinidad of “In the Heights”
The big point of this big film is to seek comfort in the small, but the movie misreads the moment.
By Frances Negrón-Muntaner
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