“Everybody” is, per the title, an interrogation of bodies, but not in the sense that bodies are usually interrogated.
By Katy Waldman
Essays & Criticism
Under Review
The Stinging Provocations of Virginie Despentes
In her Vernon Subutex novels, one feels the collapse of a national myth—and a crippling disorientation in its place.
By Emily Witt
Second Read
What Elizabeth Spencer Wanted to Be Remembered For
The author of “The Light in the Piazza” believed that her most important work was “The Voice at the Back Door,” a novel about racism in her native Mississippi.
By Michael LaPointe
Books
Briefly Noted
“Light Perpetual,” “The Five Wounds,” “A Cure for Darkness,” and “We Had a Little Real Estate Problem.”
Poetry
Poems
“In the Cloud”
“I made a list I can’t find now / (where did all my folders go?) / of words my students didn’t know.”
By Rachel Hadas
Poems
“Under Limestone”
“It was like desire / entering and possessing you quietly.”
By Richie Hofmann
More from The New Yorker
Dispatch
A “DuckTales” Bandit Story
One artist went on a crime spree, styling his persona after Scrooge McDuck.
By Jeff Maysh
Annals of Gastronomy
How to Get a Table at Carbone
The pandemic disrupted New York’s economy of social exclusion.
By Helen Rosner
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