https://www.youtube.com/watch?v=qJ6eg4pu73I
Plus: the archives of an unfulfilled genius, and rereading “The Age of Innocence.” View in browser | Update your preferences
In “Dissipatio H.G.,” Guido Morselli probes the border between blissful solitude and extreme loneliness.
Edward Stringham was a collator at The New Yorker for forty years. Was he trying to collate the world?
Edith Wharton’s novel, now a hundred, made its author wealthier than ever by offering up her own people for derision and envy.
“The Kidnapping Club,” “Dark, Salt, Clear,” “Ordesa,” and “The Sun Collective.”
“Suddenly there is no more of what there / was.”
“Death means / everything has become / possible.”
The author reads her story from the January 4 & 11, 2021, issue of the magazine.
What those mid-game chats revealed about being ordinary.
When the protagonist of Florian Grolig’s “Friends” brings home a giant, a sizable chunk of hell breaks loose.
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