Books & Fiction: What We Get Wrong About Joan Didion
Plus: living with a visionary, the lessons of the Cultural Revolution, and new poetry from Michael Torres and Linda Gregerson. View in browser | Update your preferences
A Critic at Large
What We Get Wrong About Joan Didion
She’s been canonized for impeccable style, but Didion’s real insights were about what holds society together, or tears it apart.
By Nathan Heller
Essays & Criticism
Personal History
Living with a Visionary
For more than fifty years, my wife and I shared a world. Then, as Diana’s health declined, her hallucinations became her own reality.
By John Matthias
Books
The Lessons of the Cultural Revolution for Our Current Moment
The great question of China’s Maoist experiment now looms over the United States: Why did a powerful society suddenly start destroying itself?
By Pankaj Mishra
Books
Briefly Noted
“The Liar’s Dictionary,” “Outlawed,” “Aftershocks,” and “Café Europa Revisited.”
Newsletters
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Poetry
Poems
“Horse in a Gas Mask”
“We’re meant to be accustomed / to the bodies / in the mud.”
By Linda Gregerson
Poems
“Portrait of My Brother at Thirteen and 5′2″”
“My father has just tossed a glass bottle / into the street.”
By Michael Torres
The Writer’s Voice
The Writer’s Voice: Fiction from the Magazine
Lauren Groff Reads “The Wind”
The author reads her story from the February 1, 2021, issue of the magazine.
More from The New Yorker
Cultural Comment
How “Promising Young Woman” Refigures the Rape-Revenge Movie
The twisty thriller upends a dark genre’s most familiar tropes, telling the story of a long aftermath and the guilt shared by those in power.
By Carmen Maria Machado
Culture Desk
A World-Class Guitar-Maker Picks Through the Ashes
Fire undid Todd Clinesmith’s way of life in a few moments.
By Paul Elie
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