| Fiction “Old Babes in the Wood” “My heart is broken, Nell thinks. But in our family we don’t say, ‘My heart is broken.’ We say, ‘Are there any cookies?’ ” By Margaret Atwood | | | This Week in Fiction Margaret Atwood on Loss and Memory The author discusses “Old Babes in the Wood,” her story from the latest issue of the magazine. By Deborah Treisman | Fiction “Ladies’ Lunch” If you liked “Old Babes in the Wood,” we think you will enjoy this story, from 2017. By Lore Segal | | | Newsletters Sign Up for The New Yorker’s Food Newsletter Get essays on food, restaurant reviews, and notes for the kitchen, all delivered to your in-box. | | | | | Second Read The Vital Wisdom of Wesley Brown’s “Tragic Magic” The 1978 novel, championed by Toni Morrison, is a vibrant riff on Blackness, manhood, and jazz. By Ismail Muhammad | | | Under Review Rewriting the Story of the Palestinian Radical In “Against the Loveless World,” Susan Abulhawa presents a tale that has less to do with ideology than with the way love binds us to land. By Rozina Ali | | | | | Books The Sublimely Inaccurate Portrait of the Brontë Sisters Charlotte Brontë, at 21 years old, showed all the signs of a young writer’s frustration: she was angry at herself for remaining unknown and angry at the world for its reluctance to know her. The author was born on this day in 1816. By Peter Ackroyd | | | | The Art World Alice Neel’s Portraits of Difference A retrospective at the Met shows the artist’s deep feeling for all that she is not. By Hilton Als | The New Yorker Interview Liz Phair’s Songs of Experience The singer-songwriter talks about getting older, reaching into the past for her new record, and her home town of Chicago. By Amanda Petrusich | | | | | |
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