| | Banned across Europe for its brutal violence, Austrian director Gerald Kargl’s first and only film deserves critical re-evaluation. It follows a nameless murderer (Erwin Leder) as he’s released from prison, breaks into a house, then slaughters the residents one by one. What sets the film apart is way it forces us to experience things from the killer’s skewed perspective. Using a special rig developed by cinematographer/co-writer/editor Zbigniew Rybczyński, the camera is often mounted at Leder’s shoulder so we see the world as he does, while a flat voiceover, based on the confessions of real-life serial killers and spoken by a different actor, unspools in his head. After 83 traumatic minutes, you’ll feel like you’ve lost the plot too. | | |
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